National Library of France (Bibliothèque nationale de France)

The 'Bibliothèque nationale de France' is the National Library of France, located in Paris. It is intended to be the repository of all that is published in France. The current president of the library is Bruno Racine.

The National Library of France traces its origin to the royal library founded at the Louvre Palace by Charles V in 1368. Charles had received a collection of manuscripts from his predecessor, John II, and transferred them to the Louvre from the Palais de la Cité. The first librarian of record was Claude Mallet, the king's valet de chambre, who made a sort of catalogue, Inventoire des Livres du Roy nostre Seigneur estans au Chastel du Louvre. Jean Blanchet made another list in 1380 and Jean de Bégue one in 1411 and another in 1424. Charles V was a patron of learning and encouraged the making and collection of books. It is known that he employed Nicholas Oresme, Raoul de Presle and others to transcribe ancient texts. At the death of Charles VI, this first collection was unilaterally bought by the English regent of France, the Duke of Bedford, who transferred it to England in 1424. It was apparently dispersed at his death in 1435.

The library opened to the public in 1692, under the administration of Abbé Louvois, Minister Louvois's son. Abbé Louvois was succeeded by the Abbé Bignon, or Bignon II as he was termed, who instituted a complete reform of the library's system. Catalogues were made which appeared from 1739–53 in 11 volumes. The collections increased steadily by purchase and gift to the outbreak of the French Revolution, at which time it was in grave danger of partial or total destruction, but owing to the activities of Antoine-Augustin Renouard and Joseph Van Praet it suffered no injury.

The library's collections swelled to over 300,000 volumes during the radical phase of the French Revolution when the private libraries of aristocrats and clergy were seized. After the establishment of the French First Republic in September 1792, "the Assembly declared the Bibliotheque du Roi to be national property and the institution was renamed the Bibliothèque Nationale. After four centuries of control by the Crown, this great library now became the property of the French people.

An new administrative organization was established. Napoleon took great interest in the library and among other things issued an order that all books in provincial libraries not possessed by the Bibliothèque Nationale should be forwarded to it, subject to replacement by exchanges of equal value from the duplicate collections, making it possible, as Napoleon said, to find a copy of any book in France in the National Library. Napoleon furthermore increased the collections by spoil from his conquests. A considerable number of these books was restored after his downfall. During the period from 1800 to 1836, the library was virtually under the control of Joseph Van Praet. At his death it contained more than 650,000 printed books and some 80,000 manuscripts.

Following a series of regime changes in France, it became the Imperial National Library and in 1868 was moved to newly constructed buildings on the Rue de Richelieu designed by Henri Labrouste. Upon Labrouste's death in 1875 the library was further expanded, including the grand staircase and the Oval Room, by academic architect Jean-Louis Pascal. In 1896, the library was still the largest repository of books in the world, although it has since been surpassed by other libraries for that title.By 1920 the library's collection had grown to 4,050,000 volumes and 11,000 manuscripts.

On 14 July 1988, President François Mitterrand announced the construction and the expansion of one of the largest and most modern libraries in the world, intended to cover all fields of knowledge, and designed to be accessible to all, using the most modern data transfer technologies, which could be consulted from a distance, and which would collaborate with other European libraries. Book and media logistics inside the whole library was planned with an automated 6.6 km Telelift system. Only with this high level of automation, the library can comply with all demands fully in time. Surprisingly, the library does not maintain a wireless network. In July 1989, the services of the architectural firm of Dominique Perrault were retained. The design was recognized with the European Union Prize for Contemporary Architecture in 1996. The construction was carried out by Bouygues.Construction of the library ran into huge cost overruns and technical difficulties related to its high-rise design, so much so that it was referred to as the "TGB" or "Très Grande Bibliothèque".After the move of the major collections from the rue de Richelieu, the National Library of France was inaugurated on 15 December 1996.As of 2016, the BnF contains roughly 14 million books on its 4 parisian sites (Tolbiac, Richelieu, Arsenal, Opéra) as well as printed documents, manuscripts, prints, photographs, maps and plans, scores, coins, medals, sound documents, video and multimedia documents, scenery elements..."

The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs.

Bristol Central Library

Bristol Central Library is a historic building on the south side of College Green, Bristol, England. It contains the main collections of Bristol's public library.

Built in 1906 by Charles Holden, its design was influential in the development of Edwardian Free Style architecture.Holden would later go on to build the Edward VII Memorial Wing of the Bristol Royal Infirmary,giving Bristol two of its most highly regarded Edwardian buildings.The Library has been designated by Historic England as a grade I listed building.

In 1899 Vincent Stuckey Lean left a bequest of £50,000 to replace Bristol's old public library building on King Street. An architectural competition was organised, and won by the firm of H. Percy Adams with designs by his assistant Charles Holden, at a cost of £30,000.

The new library was built on land adjacent to the historic Abbey Gatehouse, and opened in 1906.

Because of the slope of the site, which falls away sharply to the south, the building has two basement levels creating five visible storeys at the rear, while only three storeys are visible at the front.The north front of the building is a blend of Tudor Revival and Modern Movement styles, designed to harmonise with the adjoining Abbey Gatehouse.

The rear facades to the south and east are in a plainer style, with vertical features such as towers and flat buttresses being used to frame the great mass of the building. Holden's approach to handling large volumes, of which his design for the Library was one of the most highly regarded examples, made him influential within the Modern Movement. For this he has been compared with his contemporary Charles Rennie Mackintosh.

A western extension was built in 1967, in a design sympathetic to the original building.

In contrast to the exterior, the interior is largely Neoclassical, with extensive use being made of round-arched vaulting. The entrance hall, which is at the eastern end of the north front, has vaulting faced in turquoise glass mosaic. A variety of different kinds of marble is used for the flooring and other facings in the entrance hall and for the main staircase.

The ground floor next to the entrance hall contains the Lending Library. Above it is the Reference Library Reading Room, whose space includes the first floor and two tiers of galleries. It is tunnel vaulted, with glass above.

Next to the Reading Room is the Bristol Room, which contains antique furniture and fittings brought from the old reading room in King Street, including an ornate oak overmantel carved by Grinling Gibbons.

The building's size created a need to transmit natural light throughout the interior. Holden made extensive use of skylights, glass screens and glass-block roof and floor panels.

Trinity College Library

The Library of Trinity College Dublin serves Trinity College and the University of Dublin. It is the largest library in Ireland and, as a legal deposit or "copyright library", it has rights to receive material published in the Republic of Ireland free of charge; it is also the only Irish library to hold such rights for the United Kingdom. The Library is the permanent home to the famous Book of Kells. Two of the four volumes are on public display, one opened to a major decorated page and the other to a typical page of text. The volumes and pages shown are regularly changed.Members of the University of Dublin also have access to the libraries of Tallaght Hospital and the Irish School of Ecumenics, Milltown.

The Library proper occupies several buildings, four of which are at the Trinity College campus itself, with another part of the Trinity Centre at St. James's Hospital, Dublin:

• The original (Old) Library is Thomas Burgh’s masterpiece. A huge building, it originally towered over the university and city after its completion. Even today, surrounded by similarly scaled buildings, it is imposing and dominates the view of the university from Nassau Street. The Book of Kells is located in the Old Library, along with the Book of Durrow, the Book of Howth and other ancient texts. Also incorporating the Long Room, the Old Library is one of Ireland's biggest tourist attractions, and holds thousands of rare, and in many cases very early, volumes. In the 18th century, the college received the Brian Boru harp, one of the three surviving medieval Gaelic harps, and a national symbol of Ireland, which is now housed in the Library. Housed within the Old Library are:

• Early Printed Books & Special Collections

• Manuscripts & Archives Research Library (M&ARL)

• The Berkeley/Lecky/Ussher (BLU) Arts Libraries complex, incorporating:

• The Berkeley Library, in Fellows Square

• The Lecky Library, attached to the Arts Building

• The Ussher Library, overlooking College Park

• The Glucksman Map Library

• The Preservation and Conservation Department

• The Hamilton Science and Engineering Library

• The 1937 Reading Room (for graduate use)

• The John Stearne Medical Library (JSML), housed at St James's Hospital

The Library began with the founding of Trinity College in 1592. In 1661, Henry Jones presented it with the Book of Kells, its most famous manuscript. James Ussher (1625–56), Archbishop of Armagh, whose most important works were "Veterum Epistolarum Hibernicarum Sylloge" (1632) and "Brittanicarum Ecclesiarum Antiquitates" (1639), left his valuable library, comprising several thousand printed books and manuscripts, to the Library. His complete works were published by the Library in twenty-four volumes.

According to the Republic of Ireland's Copyright and Related Rights Act, 2000, the Library is entitled, along with the National Library of Ireland and the libraries of the National University of Ireland, the University of Limerick, and Dublin City University, to receive a copy of all works published in the Republic of Ireland. Also, as a result of the British Legal Deposit Libraries Act 2003, which continues a more ancient right dating from 1801, the Library is entitled, along with the British Library, the Bodleian Library at Oxford, Cambridge University Library, the National Library of Wales and the National Library of Scotland, to receive a copy on request of all works published in the United Kingdom.

The 65-metre-long (213 ft) main chamber of the Old Library, the Long Room, was built between 1712 and 1732 and houses 200,000 of the Library's oldest books. Initially The Long Room had a flat ceiling, shelving for books only on the lower level, and an open gallery. By the 1850s the room had to be expanded as the shelves were filled due to the fact that the Library had been given permission to obtain a free copy of every book that had been published in Ireland and Britain. In 1860, The Long Room's roof was raised to accommodate an upper gallery.

The Long Room is lined with marble busts. The marble bust collection was formed when 14 busts from the famous sculptor Pieter Scheemakers were acquired by the college. Many of the busts are of great philosophers, writers, and men who supported the college. The most outstanding bust in the collection is of the writer Jonathan Swift, created by Louis François Roubiliac.

Admont Abbey

Admont Abbey (German: Stift Admont) is a Benedictine monastery located on the Enns River in the town of Admont, Austria. The oldest remaining monastery in Styria, Admont Abbey contains the largest monastic library in the world as well as a long-established scientific collection. It is known for its Baroque architecture, art, and manuscripts.

Dedicated to Saint Blaise, Admont Abbey was founded in 1074 by Archbishop Gebhard of Salzburg with the legacy of the late Saint Hemma of Gurk, and settled by monks from St. Peter's Abbey in Salzburg under abbot Isingrin. The second abbot, Giselbert, is said to have introduced the Cluniac reforms here. Another of the early abbots, Wolfhold, established a convent for the education of girls of noble family, and the educational tradition has remained strong ever since. The monastery prospered during the Middle Ages and possessed a productive scriptorium. Abbot Engelbert of Admont (1297–1327) was a famous scholar and author of many works.

The wars against the Turks and the Reformation caused a lengthy decline, but with the Counter-Reformation the abbey flourished once again. In addition to the secondary school, which later moved to Judenburg, there were faculties of theology and philosophy. Abbot Albert von Muchar was well known as an historian and taught at the University of Graz.

The present church was designed by the architect Wilhelm Bücher to replace the former church after the fire of 1865. It is inspired by Regensburg Cathedral and was the first sacred building in Austria in the neo-Gothic style. It incorporates 12th century Romanesque side doors. The two west towers are 67 metres tall, and the facade contains figures of Saint Benedict and Saint Scholastica. The figure of the church's patron, Saint Blaise, tops the pinnacle of the west door.

The interior consists of a central aisle and two side aisles, off each of which are five side chapels and six altars. The picture on the altar of Mary, Maria Immaculata by Martino Altomonte (1657–1745), is surrounded by 15 carved medallions of the secrets of the rosary by Joseph Stammel. Both works of art were created in 1726 and survived the fire of 1856.

The community at Admont consists of over 27 monks under Abbot Bruno Hubl. The abbey is responsible for 27 parishes, runs a secondary school with about 600 pupils and an old people's home in Frauenberg. Its various businesses and enterprises employ about 500 people, and it also has the management of the museums and collections detailed below.

The library hall, built in 1776 to designs by the architect Joseph Hueber, is 70 metres long, 14 metres wide and 13 metres high, and is the largest monastery library in the world. It contains c. 70,000 volumes of the monastery's entire holdings of c. 200,000 volumes. The ceiling consists of seven cupolas, decorated with frescoes by Bartolomeo Altomonte showing the stages of human knowledge up to the high point of Divine Revelation. Light is provided by 48 windows and is reflected by the original colour scheme of gold and white. The architecture and design express the ideals of the Enlightenment, against which the sculptures by Joseph Stammel of "The Four Last Things" make a striking contrast.

The abbey possesses over 1,400 manuscripts, the oldest of which, from St. Peter's Abbey in Salzburg, were the gift of the founder, Archbishop Gebhard, and accompanied the first monks to settle here, as well as over 900 incunabulae.

Since the Baroque period the abbots had accumulated a collection of "curiosities" and scientific specimens of various sorts, which were entirely destroyed in the fire of 1865. As part of the reconstruction Father Gabriel Strobl determined to replace the lost collections, and so formed the nucleus of the modern museums. Father Strobl was himself a botanist but also worked on building up the insect collection, so much so that he became one of the great entomologists of his day. The Natural History museum now contains over 250,000 insect specimens, including one of the three largest collections of flies, or Diptera, in Europe.Other collections of, for example, minerals and rock, and exotic species, have also been formed.

The abbey also houses two major art collections of Historical and Modern Art. The historical art collection was begun in 1959 by Father Adalbert Krause, and has been significantly augmented since 1980. The present museum was opened in 2003. The collection particularly features ecclesiastical art, and contains for example many works of ecclesiastical embroidery by the famous craftsman Benno Haan and of the abbey sculptor Joseph Stammel.